dbx 166XL

dbx 166XL Compressor Limiter Gate

Professionals and newcomers alike will find that the 166XL sets up rapidly and musically the first time it is used, especially with the Auto attack and release function.

dbx 166XL Compressor Limiter Gate Details

Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the dbx 166XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.

When using the dbx 166XL’s Attack and Release controls, artists and engineers will find that the centre settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.

The dbx 166XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics – even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx V1 VCA to design in an extra-wide threshold range and ensure top gating performance for each application.

Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup, while the dbx 166XL’s intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums or tighten up mixes. In Stereo couple mode, the Channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock-solid stereo image – even with high amounts of compression, through True RMS Power Summing™.

Professionals and newcomers alike will find that the dbx 166XL sets up rapidly and musically the first time it is used, especially with the Auto attack and release function. Advanced applications are now easy, with the dbx 166XL’s full sidechain functionality, and the ability to use either hard knee or OverEasy® compression algorithms. Add to this already impressive list of features the venerable PeakStop™ limiter, and you’ve got a strong finisher, every time.

Features

  • Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mode operation
  • Balanced inputs and outputs on 1/4″ TRS and XLR
  • Side Chain insert
  • Classic dbx® “Auto” mode

Specifications

  • Output Impedance 120Ω balanced, 60Ω unbalanced
  • Max Output +21dBu,>+20 dBm into 600Ω, balanced or unbalanced
  • Frequency Response 20Hz – 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain
  • Noise <-90dBu, 22Hz to 22kHz, no weighting, unity gain
  • THD+Noise Typically <0.04%; Any Amount of Compression Up to 40dB@1kHz
  • IMD Typically <0.08% SMPTE @ +10dBu (15dB Gain reduction)

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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