Walk on the Wild Side by Lou Reed is a seminal track from his 1972 album Transformer. Co-produced by David Bowie and Mick Ronson, the song is a sultry, subversive tribute to the misfits and outcasts who populated Andy Warhol’s New York City scene in the 1960s. It was initially released as a single and became an unlikely radio hit, given its provocative lyrics and themes.
The song’s recording process was notable for its innovative use of studio technology and artistic flair. One of the defining sonic elements of Walk on the Wild Side is the background vocals, especially prominent in the “Doo Doo Doo” section performed by Karen Friedman, Dari Lalou and Casey Synge. These vocals were enhanced using an EMT 140 plate reverb, a device known for its ability to add a smooth, lush reverb effect that was crucial in creating the atmospheric and almost dreamy backing vocal tracks.
The way the EMT 140 was used on these background vocals was particularly interesting. If you listen you can hear the heavy use of the EMT 140 reverb and the dry vocal which starts low, getting louder in the mix, creating the effect of the background vocals moving forward in the mix. This choice contributed significantly to the track’s distinct and enduring sound.
The song was recorded at Trident Studios in London, a location famous for its state-of-the-art equipment and innovative recording techniques. The sessions involved a mix of session musicians and experimental approaches. Herbie Flowers’ double-tracked bass line – one upright, one electric – adds a unique texture that underpins the song’s laid-back groove, while the saxophone solo by Ronnie Ross introduces a touch of jazz, enhancing the urban feel of the track.
Walk on the Wild Side achieved significant commercial success, reaching the top 20 in the Billboard Hot 100 and gaining substantial radio play, which was notable considering its explicit content. The song’s legacy extends far beyond its initial success. It has become an anthem of individuality and nonconformity, celebrated for its candid and non-judgmental portrayal of Reed’s colourful cast of characters. Over the years, it has been covered and sampled by various artists, and its iconic bass line and catchy chorus continue to resonate with new generations of listeners.
In addition to its place in music history, Walk on the Wild Side also marked a significant moment in the recording industry through its creative use of reverb and other studio effects, setting a precedent for production techniques in popular music.
