Madonna’s Like A Virgin single and album, which were both released in 1984, were pivotal moments in the pop star’s career. The album represented a significant departure from her earlier work, boasting a more refined and polished sound. Meanwhile, the single’s catchy pop hooks and daring lyrics captured the attention of audiences worldwide, cementing Madonna’s place as a cultural icon.
Like A Virgin quickly became a global sensation, soaring to the top of charts in multiple countries and propelling Madonna to unprecedented levels of fame and success. Even today, both the single and album are widely recognized as defining moments in Madonna’s illustrious career, thanks in no small part to their infectious rhythms, timeless appeal, and daring themes.
Recorded at The Power Station in New York with legendary producer Nile Rodgers at the helm, the Like A Virgin album featured a star-studded lineup of musicians, including Nile Rodgers’ Chic band mate Bernard Edwards on bass, as well as Tony Thompson on drums. Together, they formed an incredibly tight rhythm section that helped to elevate the album to new heights.
The connection with Nile Rodgers was pivotal, as enhineer Jason Corsaro convinced him to embrace digital technology for Like A Virgin. Not only did he ensure the acquisition of a Sony 3324 24-track digital tape recorder for the recording, but he also purchased a Sony F1 two-track for the 12-bit mix.
Despite being recorded in 1984, details about the specific studio equipment used on Like A Virgin remain somewhat murky. According to a 1999 interview with SOS Magazine, engineer Jason Corsaro recalled using a Yamaha SPX and Ursa Major Space Station on the track. However, this is somewhat puzzling given that the Yamaha SPX 90 was not released until mid-1985.
While it is possible that The Power Station Studios received advanced units for testing prior to the official release, the truth remains shrouded in mystery. The mastering was done by Bob Ludwig using a Sony PCM-1630 Digital Audio Processor.
