The Boss RGE-10 Graphic Equaliser was specifically designed for ultra-low-noise performance to enable it to be used in recording studios and onstage as well as to be connected to the finest audio equipment. The Boss RGE-10 equalises in 10 bands, in steps of an octave from as low as 31Hz to 16kHz—providing ideal flexibility for settings as well as ease of use.
Up to ± 12dB of cut and boost are available, making the Boss RGE-10 an extremely adaptable equaliser, handling it all from fine tonal compensation to startling sound creations. A prominent feature of graphic equalisers is of course the visual confirmation of the equalised frequency curve. The Boss RGE-10 takes it one step further with an LED indicator for each slider, letting you check settings on dark stages or studios and making quick further changes possible.
Controls
- EQUALISER SLIDERS: 10 sliders set at frequencies from 31 Hz (lows you tend to feel as vibrations in the air more than as sounds you hear) to 16kHz (extreme highs that help to accentuate or control harmonics) let you boost or cut up to 12dB at each of the 10 frequency bands. Each slider also has a centre click setting for quickly and accurately returning to a flat “0dB” setting.
- LEVEL: For minimising any level differences between the direct and equalised sound This lets you control up to ± 12dB of level by moving the LEVEL slider up or down to eliminate differences in level.
Tonal compensation, from a very fine degree to radical changes are easily affected with the Boss RGE-10’s 10 bands in octave steps over the frequency range from 31 Hz to 16kHz. In combination with the visual confirmation of the frequency curve, the unit is also effective for processing sounds previously mixed and providing fine tonal compensation for instruments and vocals too. But the Boss RGE-10 really comes into its own for creating a spacious, open sound which will best match the acoustic characteristics of a hall during live performances.
In the above image, the setting is useful for making vocals stand out. In this setting, a boost can be centred around 1kHz, with just a touch of boost at 4kHz too. This will add clarity to the vocal and gives it an open sound. If the hall makes this setting give a tinkly or metallic sound to the vocals, apply slight cuts around the 4kHz area.
In the image below is a setting that adds some power to sound that has been already mixed down on a multi-track recorder. Cut out unwanted 31 Hz rumble by using the Boss RGE-10 as a subsonic filter or emphasise the bass drum at 62Hz and 125Hz and add attack at 4kHz and 8kHz.
