Boss DE-200

Boss DE-200 Digital Delay

The Boss DE-200 offered users a very affordable entry into digital delays, even more affordable than the Roland product of that time which was already well priced. The Boss DE-200 and its siblings were an exercise in simplicity, with a front panel that was as clean as it was practical, making it very easy for newcomers to get around.

Boss DE-200 Digital Delay Details

The Boss DE-200 Digital Delay is a noteworthy piece of musical equipment that has left a lasting impression in the world of sound manipulation. Let’s take a closer look at its historical significance and key features.

The Boss DE-200 was ahead of its time with its analogue logarithmic compression and 12-bit quantising system. These technical advancements were instrumental in achieving a higher signal-to-noise ratio, resulting in exceptionally clear and pristine sound quality.

Boasting three output jacks and the option to select from two different stereo effects, the DE-200 offered musicians a new dimension of sonic possibilities. This expanded the creative toolkit for artists, allowing them to explore rich and immersive stereo delays.

The Boss DE-200 introduced a unique feature known as “Rhythm Sync.” This function enabled musicians to synchronise the delay effect with external trigger signals. This precise synchronisation added a layer of rhythmic precision to musical compositions, enhancing the overall listening experience.

Beyond its role as a delay, the Boss DE-200 served as an external sound source for rhythm machines. Musicians could capture and manipulate their preferred sounds, incorporating them seamlessly into their compositions.

The Boss DE-200 Digital Delay holds a significant place in the history of music technology. Its innovative features, including advanced sound quality (for the time), stereo effects, and the pioneering Rhythm Sync function, proved to be a versatile tool that allowed for creative sound manipulation, it continues to be a source of inspiration for those exploring the boundaries of sonic expression.

Specifications

  • Quantisation: 12 Bit
  • Sampling Frequency: Unknown
  • Frequency Response: 10Hz-10kHz
  • Dynamic Range: 80dB
  • THD: 0.25%

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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Boss is the boss for authentic reggae sound system delays!

by PaddyRanx

Sound Quality 100%
Build Quality 10%
Usefullness 100%
Mojo/Funk 100%
Reliability 100%

We use this for our roots reggae sound system on our send controls. The unit clearly echo’s mid/high range vocals and instruments at the turn of one control once you have set the delay speed, feedback and output on the mix. It will oscillate when opened above 75% to recreate long delays through both music and mic line. A must have for anyone looking for an authentic rack mounted delay to compliment your preamp. We have two of these units after trial and era using Deltalabs, Maxons, Soundcraft and Roland Space Echo, the latter that everyone bangs on about. This unit in my opinion is the best I have used to date and if you get it at the right price, you’ll be laughing. Give it a try, you won’t be disappointed.

Review

by Anonymous

Sound Quality 90%
Build Quality 85%
Usefullness 90%
Mojo/Funk 90%
Reliability 95%

EXCELLENT CHARACTER

by Stern Klang

Sound Quality 100%
Build Quality 95%
Usefullness 100%
Mojo/Funk 100%
Reliability 85%

Perfect for dub, rock, space and electronica.

Used it? Leave your rating and review.

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