Altec A322 C

Altec A322 C Limiter Amplifier

The Altec A322 C Limiter Amplifier is invaluable for use in film and disc recordings, broadcasting, and public address applications. Its use in film and disc recordings prevents over-modulation and allows a higher average level of recording without danger of distortion.

Altec A322 C Limiter Amplifier Details

The Altec A322 C Limiter Amplifier is essential for film and disc recording, broadcasting, and public address applications. In recording environments, it prevents over-modulation, allowing for a higher average recording level without risking distortion. In broadcasting, it reduces the need for constant manual modulation control, ensuring that signal levels stay within safe limits without operator intervention.

For public address systems, the Altec A322 C effectively balances volume changes due to speaker movement relative to the microphone, preventing harsh, sudden volume spikes and enabling the system to operate at higher sensitivity without introducing distortion. This limiter also protects high-powered PA systems by preventing accidental volume peaks that could damage loudspeakers.

Functionally, the Altec A322 C acts as a linear amplifier up to a certain level, beyond which it caps the output volume. With an input impedance of 600 ohms and a 5000-ohm bridging input, it offers up to 30 dB of input attenuation in 1 dB steps, and its output impedance of 600 ohms provides up to 20 dB attenuation, also in 1 dB increments.

The internal circuit is built on three balanced push-pull stages. The input stages use 1612 variable mu tubes, the second stage is resistance-coupled using 6J7 pentode tubes, and the output stage uses 6V6GT beam power tubes. Cathode followers (6SN7GT) bridge the output plates and connect to a dual diode (6H6GT), which rectifies the control voltage applied to the 1612 tubes. This design yields rapid “attack” times, with initial peaks constrained effectively, illustrated by a 2 dB overshoot at the onset of a 5000 Hz signal. The shock-mounted first amplifier stage minimises microphonic interference.

An integrated meter, calibrated in decibels (dB) of limiting, shows the real-time level of attenuation, with an option for remote monitoring. This provides operators with clear, immediate insight into the limiter’s activity, ensuring precise control over the audio output.

The following is from an Altec Technical Letter about applications for the Altec A322 C

The limiter amplifier has been considered a valuable tool for many years. It is especially needed in connection with the large high quality Public Address systems.

Essentially the limiter amplifier operates such that its gain is fixed up to a predetermined output. Beyond this point an increase of level at the input does not produce a corresponding increase in output. Actually an increase of 10 db input increases the output by only 1 db. This limiting effect is accomplished without distortion of the signal wave form. As much as 20 db limiting can be obtained. A limiter is different than a compressor in that the limiter does not go into operation until a certain output level is obtained.

Another form of automatic gain control is the compressor type amplifier. It begins to compress 20 db below the wanted maximum and squeezes 20 db range into 10 db or it has a 2-1 ratio over this range. The compressor is a more difficult circuit to balance for thumps since it is changing the gain a large share of the time. The limiter with its 10-1 ratio is preferred because it acts only as a safety valve when the need arises.

In broadcasting stations and recording studios it prevents overmodulation and allows a higher average level of recording without danger of distortion. It compensates for variations in volume resulting from changes in the speakers position with respect to the microphone and for different voices using the same microphone. In high powered public address systems its use will prevent sudden or accidental peak power which can cause annoying loud sounds and loudspeaker failure. A few of the many applications of this amplifier are as follows:

Many large Public Address systems such as the Briggs Stadium in Detroit and the University of Kentucky Field House use Altec limiter amplifiers to protect the speaker driver units and at the same time insure that the Public Address System will not be overdriven by an excited announcer and blast the audience.

A Miami dog track installed an Altec A322 C limiter for the express purpose of maintaining the top level of the system at a point where the surrounding neighborhood would not complain.

Otis Jett, communication supervisor for the Union Pacific Railroad with headquarters at Omaha uses Altec Lansing equipment throughout the many passenger and freight terminal yards in the Union Pacific system. He reports distinct advantages of keeping the top level of train calling and paging at the point where passengers in sleeping cars will not be awakened while the train is in a terminal during the night. They also hold the level constant from the control tower in the freight yards when talking to train men on the tracks. The use of the limiters has reduced neighborhood complaints.

The Voice of America has recently installed forty Altec A322 C limiters for all of their outgoing facilities. The Glenn Olsen Recording Studios have 35 in use on their T V channels. All America Cables & Radio, Inc. use Altec A322 C amplifiers on their radio channels in the Carribbean where static is very intense and according to their supervisor, Kenneth Barbier, the percentage of reliable transmission has materially improved.

The U. S. Navy Air Missile Center at Point Mugu, California uses 40 Altec limiters in their various communication and telemetering circuits which are concerned with missile firing. Mr. Brown of their organization reports that the efficiency of his circuits has been maintained at an exceptionally high level after the amplifiers were placed in service and because of the conservative design their problem with vacuum tube and component failures have been greatly reduced. Before using these limiters they had considerable difficulty in maintaining a good signal to noise ratio and in many cases missile launching was performed without obtaining proper data.

The limiter amplifier is installed at the point nearest the final power amplifier. It has an input impedance of 500 ohms or bridging tap. Its output impedance is 500 ohms and is capable of supplying 1 watt. The gain is 65 db maximum so that it can serve as a line amplifier having broadcast specifications in terms of noise and distortion.

For high quality performance it has been considered necessary to have push pull circuits in all stages of the amplifier and good balance is a requirement. The input stage uses type 1612 variable mu tubes to accomplish the limiting. The second stage is resistance coupled 6J7 penthode tubes and the output stage uses the 6V6 beam power tubes.

The screen and plate grid on the 1612 type tubes varies over wide limits with limiting and a static balance is accomplished by means of adjustment V1 and V2. Ordinarily it is sufficient to balance these tubes on DC. On some tubes the mutual conductance slope is not constant over the entire range of limiting and added tests are required as follows:

Talk into a microphone and use words which have the letter P or B, such as Pop, pump, boom, busy, etc. Make sure that the sound is clean without thump with no limiting. Then adjust for 5-10 db of limiting. Adjust the balance V1 – V2 until the thumps are not audible. V1 and V2 may not be balanced on DC but disregard this if adjustments will remove the thumps.

This method has been very successful in obtaining good balance. It takes up 50 hours of use to age a new pair of 1612 tubes and for this reason it is recommended that when a limiter amplifier is installed or a change in 1612 tubes is required that the limiter amplifier be left on for 50 hours and during this period it may be necessary to rebalance a few times. After this aging process the balance will remain constant for a long period of time. The last two stages are not as critical for precise balance and a DC balance is adequate.

In summary the Altec A-322-C limiter amplifier is of radio broadcast quality and uses the highest-grade components to insure long life and reliable service. The large number of limiters purchased over a period of time by each user is a testimonial to their performance. It is a key item to any successful sound system; radio station, recording and Public Address installation. When the amplifier is included in bidding specifications it is a strong point in swinging the final award to Altec equipment.

Specifications

The date of 1945 as a release date for the Altec A322 C is a guestimate, if you have more accurate information as to the correct release date, or full specifications, please contact us.

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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