The Avid Eleven Rack Guitar Effects Processor was a groundbreaking solution for guitarists seeking studio-quality tone and seamless integration between stage and studio. At its core, the Eleven Rack combined powerful dual-DSP hardware with integrated Pro Tools software, delivering ultra-realistic amp and effects modelling without the latency or processing load typical of computer-based systems. Avid’s unique True-Z input replicated the electrical impedance of real guitar amps, contributing to its remarkably authentic feel and tone response — a major leap forward from earlier digital amp modellers. In the studio, the Eleven Rack stood out for its professional-grade recording capabilities. Its hardware accelerated signal path allowed players to record dry and processed signals simultaneously, enabling non-destructive re-amping without re-cabling. Embedded settings within audio tracks ensured that amp and effects configurations were saved with each take, offering unmatched convenience when switching between sessions or studios equipped with another Eleven Rack unit. This innovation streamlined the workflow for guitarists and producers alike, making professional-level tone recall easy and efficient. On stage, the Eleven Rack transformed into a rugged and reliable performance processor. Its collection of vintage and modern effects, high-quality amp models, and flexible I/O made it ideal for live use, whether as a standalone unit or part of a larger rig. The system supported MIDI foot controllers and expression pedals, giving players real-time control over effects parameters, presets, and dynamics. From authentic wah sweeps to syncopated delays, Eleven Rack covered a vast tonal range while maintaining the tactile responsiveness of traditional gear. The Avid Eleven Rack helped bridge the gap between digital precision and analogue feel, becoming a favourite among recording guitarists looking for a powerful all-in-one solution. It left a lasting impression in the era before software plugins fully dominated the guitar recording space.

Avid Eleven Rack Guitar Effects Processor

Avid’s Eleven Rack was a pioneering guitar processor combining dual-DSP hardware with Pro Tools integration, offering ultra-realistic amp tones, zero-latency recording, and built-in re-amping. With its True-Z input and versatile I/O, it delivered authentic feel and tone both in the studio and on stage, bridging the gap between digital precision and analogue experience.

Avid Eleven Rack Guitar Effects Processor Details

The Avid Eleven Rack Guitar Effects Processor was a groundbreaking solution for guitarists seeking studio-quality tone and seamless integration between stage and studio. At its core, the Eleven Rack combined powerful dual-DSP hardware with integrated Pro Tools software, delivering ultra-realistic amp and effects modelling without the latency or processing load typical of computer-based systems. Avid’s unique True-Z input replicated the electrical impedance of real guitar amps, contributing to its remarkably authentic feel and tone response — a major leap forward from earlier digital amp modellers.

In the studio, the Avid Eleven Rack stood out for its professional-grade recording capabilities. Its hardware accelerated signal path allowed players to record dry and processed signals simultaneously, enabling non-destructive re-amping without re-cabling. Embedded settings within audio tracks ensured that amp and effects configurations were saved with each take, offering unmatched convenience when switching between sessions or studios equipped with another Avid Eleven Rack unit. This innovation streamlined the workflow for guitarists and producers alike, making professional-level tone recall easy and efficient.

On stage, the Avid Eleven Rack transformed into a rugged and reliable performance processor. Its collection of vintage and modern effects, high-quality amp models, and flexible I/O made it ideal for live use, whether as a standalone unit or part of a larger rig. The system supported MIDI foot controllers and expression pedals, giving players real-time control over effects parameters, presets, and dynamics. From authentic wah sweeps to syncopated delays, Avid Eleven Rack covered a vast tonal range while maintaining the tactile responsiveness of traditional gear.

The Avid Eleven Rack helped bridge the gap between digital precision and analogue feel, becoming a favourite among recording guitarists looking for a powerful all-in-one solution. It left a lasting impression in the era before software plugins fully dominated the guitar recording space.

The Avid Eleven Rack Guitar Effects Processor marked a significant step forward in digital guitar recording technology. By combining a powerful dual-DSP hardware interface with Pro Tools LE software, Avid Eleven Rack offered guitarists a complete, professional-grade recording environment. Its amp and effects modelling set a new standard for realism at the time, delivering tones that were not only sonically convincing but also highly responsive and inspiring to play.

A key innovation behind this realism was Avid’s True-Z input circuit. Seasoned guitarists understand the critical role that input impedance plays in shaping tone — the interaction between a guitar’s pickups and the input stage of an amp or pedal can drastically alter the sound and feel. Rather than relying on digital approximations, Avid engineered a genuine analogue solution. True-Z replicated the varying impedance characteristics of classic amplifiers and stompboxes, allowing guitars to interact with the Avid Eleven Rack as they would with real hardware.

The result was a uniquely dynamic playing experience that went far beyond conventional modelling. With True-Z, the input responded just like the jack of a vintage amp or pedal, capturing subtle tonal differences based on the guitar and pickup configuration. Players could also manually adjust the input impedance to suit their preferences, giving them even greater control over their tone. This thoughtful blend of analogue circuitry and digital power helped set the Avid Eleven Rack apart, offering guitarists an unprecedented level of authenticity in a digital recording system.

The Avid Eleven Rack Guitar Effects Processor was developed to address a long-standing shortcoming in digital amp modelling: the inability to truly capture the depth, dimension, and dynamic response of a professionally mic’d guitar rig. Rather than settling for approximations, Avid undertook a meticulous and ambitious effort to recreate the real-world experience of playing through some of the most iconic guitar amplifiers ever made.

This process began with sourcing an exceptional collection of vintage and modern amplifiers and speaker cabinets — all carefully selected to represent the best examples of their kind, and all left unmodified to preserve their original character. Each unit was dissected and analysed in detail, with measurements taken at every stage of the signal path. This allowed Avid to model not just the broad tonal qualities, but the subtle behaviours that give real amps their feel and nuance — including power amp sag, ghost notes, and cabinet resonance.

To replicate the unique relationship between guitar and amplifier, Avid developed the True-Z input circuit. Unlike purely digital systems, True-Z is a custom analogue input that automatically adjusts its impedance to match the characteristics of the modelled amp or effect, ensuring an authentic interaction between instrument and processor. This innovation gave Avid Eleven Rack a lifelike response that other modellers simply couldn’t match.

Speaker cabinet tones were captured using convolution processing, preserving the exact sonic fingerprint of real mic’d amps rather than simulating them with EQ filters. Avid brought in renowned recording engineer John Cuniberti — inventor of the Reamp® box — to oversee the mic placement and recording process, ensuring every cabinet and mic pairing was captured with studio-grade accuracy.

Beyond amp tones, Avid Eleven Rack also featured a range of faithfully modelled effects, from essential stompboxes to high-end studio processors drawn from Avid’s own Pro Tools|HD TDM plug-ins. The result was a comprehensive and hyper-realistic system that stood apart in its era, offering guitarists a deeply immersive recording and performance tool with unmatched authenticity.

Features

  • Unique True-Z auto-impedance matching guitar input
  • Incredible emulations of classic guitar amp tones inspired by Fender®, Vox®, Marshall®, Soldano, and Mesa/Boogie® amps*
  • Refined collection of sought-after classic stompbox tones inspired by effects from MXR®, Electro-Harmonix®, Ibanez®, ProCo, Univox®, and more*
  • Powerful collection of studio-quality rackmount effects processors
  • Convolution-based cabinet emulations deliver unprecedented realism in cabinet tones
  • Convolution-based microphone emulations inspired by classic dynamic, condenser, and ribbon mic designs
  • Integrated FX loop switchable to incorporate existing mono or stereo rack and stompbox effects
  • Controllable via MIDI controllers and expression pedals
  • Built-in tuner
  • Tap-tempo control of time-based effects
  • High-speed USB 2.0 connection
  • Supports up to 8 simultaneous channels of high-resolution recording up to 24-bit/96 kHz
  • Stereo balanced XLR outputs and dedicated 1/4” outputs
  • XLR mic input with 48V phantom power and pad switch
  • 2 x 1/4” line-level inputs
  • AES/EBU and S/PDIF digital I/O
  • Stereo 1/4” headphone jack
  • 1 x 1 MIDI I/O

Specifications

  • Guitar amp emulations based on:
    • ’59 Fender® Bassman®
    • ’59 Fender® Tweed Deluxe
    • ’64 Fender® Black Face Deluxe Reverb® Normal Channel
    • ’64 Fender® Black Face Deluxe Reverb® Vibrato Channel
    • ’66 VOX® AC30 Top Boost
    • ’67 Fender® Black Face Twin Reverb®
    • ’69 Marshall® 1959 100 Watt Super Lead Plexiglas Head
    • ’82 Marshall® JCM800 2203 100-Watt Head
    • ’85 Mesa/Boogie® Mark IIc+ Drive Channel
    • ’89 Soldano SLO100 Super Lead Overdrive Head Clean Channel
    • ’89 Soldano SLO100 Super Lead Overdrive Head Crunch Channel
    • ’89 Soldano SLO100 Super Lead Overdrive Head Overdrive Channel
    • ’92 Mesa/Boogie® Dual Rectifier® Head Vintage Channel
    • ’92 Mesa/Boogie® Dual Rectifier® Head Modern Channel
    • Avid Custom Vintage Crunch
    • Avid Custom Modern Overdrive
  • Speaker cabinet emulations based on:
    • ’59 Fender® Bassman® 4×10” with Jensen P10Qs
    • ’59 Fender® Tweed Deluxe 1×12” with Jensen P12Q
    • ’64 Fender® Black Face Deluxe Reverb® 1×12” with Jensen P12N
    • ’66 VOX® AC30 2×12” with Celestion Alnico Blues
    • ’67 Fender® Black Face Twin Reverb® 2×12” with Jensen C12Ns
    • ’68 Marshall® 1960A with Celestion G12H “Greenbacks”
    • ’06 Marshall® 1960AV 4×12” with Celestion Vintage 30s
  • Microphone emulations based on:
    • Shure SM7 Dynamic Microphone
    • Shure SM57 Unidyne III Dynamic Microphone
    • Sennheiser MD 409 Dynamic Microphone
    • Sennheiser MD 421 Dynamic Microphone
    • Neumann U67 Condenser Microphone
    • Neumann U87 Condenser Microphone
    • AKG C 414 EB Condenser Microphone
    • Royer 121 Ribbon Microphone
  • Effects emulations based on:
    • Spring Reverb (based on the Fender® Deluxe Reverb®)
    • Green JRC Overdrive (based on the Ibanez TS-808)
    • Tri-Knob Fuzz (based on the Electro Harmonix Big Muff Pi)
    • Black Op Distortion (based on the ProCo Rat)
    • Shine Wah (based on the VOX® V-846)
    • C1 Chorus/Vibrato (based on the Boss CE-1)
    • Orange Phaser (based on the MXR® Phase 90)
    • EP Tape Echo (based on the Maestro Echoplex EP-3)
    • BBD Delay (based on the Electro Harmonix Deluxe Memory Man)
    • Grey Compressor (based on the Ross Compressor)
    • Vibe Phaser (based on the Univox Uni-Vibe)
    • Black Wah (based on the Thomas Organ CB-95 Crybaby)
    • Flanger
    • Roto Speaker
    • Volume Pedal
    • Eleven SR (Stereo Reverb)
    • Graphic EQ
    • Tuner

The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

Avid Eleven Rack
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