If you are specifically cutting audio to picture-either short term or long range-a timecode capable recorder is a must. SMPTE timecode is the ubiquitous reference for all machines synchronised together in the performance of a joint task. What’s more, video is both controlling and unforgiving. If all devices are not referenced to the same clock, sync will eventually drift into cacophony.
To safeguard against this occurrence, if the incoming digital signal does not match the Fostex D-15’s setting, the selected sampling frequency LED will blink, indicating an error condition. As another safety feature, OFFSET does not allow changes to be committed until after the SET key is pressed.
In all standard operational modes, the Fostex D-15 is very user friendly. Dedicated controls provide easy access to key features. Five toggle switches on the front panel select Local/Remote, GPI, Analog or Digital Input, Clock and Sample Rate. Standard DAT features like Start/Skip/Write/Erase/Renumber ID also have dedicated switches.
Individual input level controls have centre detents as well as trim controls for easy and precise level settings. The concentric Jog/Shuttle knob is also used for parameter settings and data entry, and the numeric keypad makes it easy to enter SMPTE locate points. The bright fluorescent display offers comprehensive status reports at a glance. You’ll never have to guess where you are with the D-15.
And where you are with the Fostex D-15 is right on the money. Ever since Fostex introduced the first timecode DAT recorder-Model D-20 in 1989-we’ve been refining and improving our product offerings over the years. The D-15 is the latest example of that technology responsive to market needs. It’s the most affordable timecode capable DAT record you can buy. Fully loaded, Fostex D-15TCR is your smartest buy in a timecode DAT recorder.
- Fostex D-15 is the Lowest Priced Timecode Capable DAT Recorder Available.
- Fostex D-15 TC includes video reference capability. This allows you to stripe the tape with externally generated SMPTE timecode and output LTC or A-time. A-time can also be converted to LTC. Finally, you have the option of referencing externally to Video or Word Clock.
- Fostex D-15 TCR includes RS-422 control, in addition to timecode capability. This model complies to Sony RS-422 with the exception of the vari-speed command. This model will allow your controllers to shuttle the machine to desired locations.
- Fully loaded, The Fostex D-15TCR is your best buy in a timecode DAT recorder.
- Interface features include AES/EBU and Optical I/0, balanced and unbalanced operation for audio and timecode, 9-pin RS-422 connector-plus a GPI 37-pin general purpose interface connector.
- Whether you’re just getting started in cutting audio to video or are looking to add another DAT recorder to your multi-machine environment, the Fostex D-15 Models are the best answers to your hardware questions.
New Features / Functions:
- Chase mode functions are now built in. There’s no need to buy expensive out-board equipment.
- Instant start without pre-loading. This feature makes the Fostex D-15 ideal as a source machine. The instant audio modulation is detected, it is output.
- You can hold the peak reading on the digital bar graphs with a choice of 5 different settings. This allows you to hold and read your peaks for confidence in your audio level settings.
- The unit now has a software set front panel lock out function preventing unauthorised access to the machine’s controls. This feature is very useful in a machine room environment.
- You can now set Cue Levels and Times to suit your needs and preferences.
- All frame rates are supported, including 30df.
- An Offset key allows you to adjust TC offsets against the master machine.
- The Skip ID Mode now offers 3 choices of operation, Off, Stop or Play.
- The newly designed transport is very quick and efficient. The transport utilises a 4-motor design; two of the motors are the direct drive type.
- A 120-minute tape shuttles in about 60 sec.
- Parallel interface is now standard. This offers the use of a cabled remote control instead of the Infra-Red variety. This is a must in demanding situations where mis-cues can result in dead air or bad takes.
- The new ergonomic front panel layout is very user friendly.
- Reference levels can now be set to -12, -18 or -20. The Default setting is -12.
- The inputs utilise 18 bit/ 64 x’s over sampling; the outputs use 20 bit/ 8 x’s over sampling.
- XLR and Phono connectors are supported (+4/-10, respectively).
- Individual front panel trim pots are in addition to the level controls.
