Sony PCM-7010

Sony PCM-7010 Digital Audio Recorder

The Sony PCM-7010, an affordable recorder in the PCM-7000 Series, is ideally suited to simple program transmission applications. As a playback machine, the PCM-7010 is designed to provide compatibility with both professional and consumer audio equipment.

Sony PCM-7010 Digital Audio Recorder Details

In addition to 44.1kHz and 48kHz sampling frequencies, the Sony PCM-7010 can also record and playback digital audio data sampled at 32kHz. Tapes recorded in the Long Play mode on the PCM-2700/2700A/2300 and consumer DAT recorders can also be played back. The Sony PCM-7010 can be interfaced with these affordable DAT recorders and also with consumer CD players through their unbalanced digital I/O (IEC-958 type 1/11) connectors by using the DABK-701 IA/B option.

Interfacing with professional equipment is via the AES/EBU connectors on the digital I/O options. With a DABK-7011B installed, the Sony PCM-7010 additionally offers the Sony SDIF-2 interface, providing direct connection capability with recording and mastering studio equipment. For versatile interfacing, both digital and analogue 1/0 signal levels of a Sony PCM-7010 can be adjusted over the range of – to +12dB for input gain and ±8dB for output gain when a DABK-701 IA/B is fitted. The compatibility and superior sound quality of this recorder make it ideal for many recording and playback applications.

As flexible, cost-effective recorders for professional audio applications, the Sony PCM-7000 Series provide the superb quality of DAT digital recording on compact and easy to handle cassettes. This professional DAT Series includes three recorders supported by a wide range of options, giving maximum flexibility to choose the best combination for a particular requirement. Al/ recorders conform to the standard DAT format, providing compatibility regardless of manufacturer – including consumer models.

The Sony PCM-7000 Series do much more than simply provide an economical, space saving alternative to 1/4-inch open reel analogue tape recorders. With their precise electronic editing, video/audio editor interface and many postproduction and on-air facilities, they find applications in many areas of professional audio – from simple recording/playback to audio-follow-video editing, as a program source in CD mastering, for program transmission and in multi-recorder sound effects libraries. PC control is also possible for automation systems.

Combining flexible interfacing and external synchronisation capabilities with memory start and the high speed of search unique to the DAT format, the PCM-7000 Series confidently meet the demands of TV/Radio broadcasting stations and postproduction houses.

Memory Start Function
Approximately three seconds of audio data from around the play start point can be stored in a stereo digital sound memory and this memorised sound is output instantly when the play key is pressed. This eliminates the problem of the output sound being delayed, which is inherent in a rotary head system, and makes the PCM-7000 Series suitable for on-air applications and sound sweetening in film/video post-production.

The start point can be trimmed precisely using the memory search/rehearsal functions and the trimmed and designated start point rehearsed any number of times. When operating the time code location and start ID and program number search in the memory start mode, the Sony PCM-7010 automatically stores the audio data around the locate point for instant playback.

Time Code Capability
Time code conforming to the SMPTE/EBU and FILM formats can be recorded in the subcode area. The use of time code enables the rapid location of the required point on the tape. When the time code reader/generator option is added, such advanced operations as electronic editing, chase synchronisation and conversion between the SMPTE/EBU/FILM and DAT time code formats become possible. Absolute time can also be recorded in the subcode area from the beginning of a tape. When recording consecutive audio segments, continuity of the absolute time across the segments is assured.

External Synchronisation
Using the digital 1/0 and the time code reader/generator options provides the important advantage of external synchronisation in audio-follow-video applications. The Sony PCM-7010 machines can be locked to a variety of reference signals, ranging from SMPTE (drop frame or non-drop frame) and EBU time codes to video reference signals in the form of composite video, composite sync or black burst signals. In a configuration without video machines, synchronisation can be achieved via the word clock (sampling rate) from a professional digital audio system.

General Purpose Interfacing Facility
The Series offers two types of parallel remote interfaces. The 37-pin connector provides connection to the Sony RM-D7100 remote controller or to a synchroniser for remote control of transport functions. The DIN 8-pin connector accepts fader start/stop signals, making recorder control possible from a mixing console.

Comprehensive Serial Remote Control
For the convenience of computer-controlled automation in a multi-recorder configuration, all PCM-7050/7030/7010 recorders can feature an optional RS-232C connector.

Subcode Recording
Unique to the Sony PCM-7010, the date function makes it possible to index each recording with time and date information.

Search/Locate Function
A variety of search/locate functions make it easy and quick to locate recorded programs.

  • Time Code Locate: Any time code address on the tape can be located quickly using the LOCATE key and search dial on all three recorders. With the connected to an RM-D7300 editing controller, the LOCATE key and numeric keys of the controller can also be used for selection of a locate point. During time code location, the tape is automatically wound or rewound to either the exact location or the locate point minus two seconds. Selection between these two alternatives is made on the RM-D7300.
  • Cueing: Cueing (shuttle function) is performed at x 16, x 8, x 3, x 1, x 1/2 or x 1/5 normal speed (cue mode of the PCM-7050/7030), or at x 8, x 3, x 1 or x 1/2 normal speed (PCM-7010) by rotating the search dial.
  • Start ID search: At the touch of the NEXT or PREVIOUS key, the tape is rapidly wound or rewound to the next or previous start ID. If a more distant start ID is to be accessed, either key can be pressed the number of times which corresponds to the start IDs that have to be skipped.
  • Program number and end ID locate: The tape is rapidly wound or rewound to the program number or end ID designated by rotating the search dial.
  • Blank search: The blank point where no audio Signal is recorded can be automatically searched, and then the machine automatically locates two seconds prior to the blank point.

 

RAW (Read-After-Write) and RAW (Read-Modify-Write)
Designed with a rotary 4-head system, the Sony PCM-7010 recorder provides two recording modes, RAW (Read-After- Write) and RMW (Read-Modify-Write). In the RAW mode, real-time monitoring of the recording is provided. In the RAW mode, the Sony PCM-7010 allows enhanced punch IN and punch OUT operation. Digital audio data can be electronically crossfaded at punch IN and punch OUT points.

Variable-Speed Playback
The precision-controlled transport of the Sony PCM-701o allows the playback speed to be varied over the range of ± 12.5% in C). 10/0 steps (internal sync mode) or ± 12.4% in 0.2% steps (video sync mode).

Input Signal Level Control
Both analogue and digital input level can be adjusted. On a Sony PCM-7050 fitted with a DABK-7055 or a Sony PCM-7010, the range is to +12.0dB in the digital domain.

Variable-Speed Recording
The Sony PCM-7010 is capable of variable-speed recording over the range of in 0.1 % steps, which is effective in using a consumer model as a dubbing master which has no capability of external synchronisation and producing films and HD (High Definition) programs.

Informative Screen
A distinctive FL display keeps the operator informed of operating status, with stereo peak program meters and full indication of the sampling frequency in use, time code format and address, etc. An error message also appears on this display when the alarm lamp is lit. The display mode can be easily switched with the search dial and dial menu keys to show various data setting.

Compact Reliability
With the use of the RMM-31 rack mount adaptor, the Series can be mounted in a 19-inch standard rack, taking 3RU of space. The tape is loaded from the front and driven stably by a precision 4-motor direct-drive mechanism placed under the control of accurate servo electronics. Furthermore, the adoption of an illuminated cassette compartment with a transport shutter makes it easy to check the tape motion.

Assured Audio Quality
Designed with the technical expertise of Sony, a world leader in digital audio, and using the most up-to-date devices, the Sony PCM-7010 is a perfect match for the quality requirements of professional applications. Error correction is based on the powerful double-encoded RSC (Reed Solomon Code) combined with a sophisticated decoding circuit.

Unmatched Economy
The Series brings economy – whatever the application. Equipment costs are low and so are media costs. At 73 x 54 x 10.5 mm (2 x 7/16 inches), the DAT tape is about half the size of the standard audio cassette but holds up to two hours of 16-bit linear stereo digital audio data, resulting in a remarkable reduction in tape running costs and enormous savings in a storage space.

Precise DAT Editing
A DAT editing system, comprising a PCM-7050 (with the DABK-7030/7055), a PCM-7030 (with the DABK-7030/7031) and an RM-D7300 editing controller, gives fully electronic editing with the convenience of memory search/rehearsal. A 16 Mbit stereo digital memory, controlled by a search dial (memory jog’), enables speedy and precise determination of the edit IN/OUT points. Memory rehearsal can be repeated any number of times for fine adjustment of the edit points before executing an automatic edit.

Each edit point can be electronically crossfaded. The crossfade time is variable in 1ms steps in a range up to 999ms. The preroll time (5 to 59s) and postroll time (2 to 59s) can be adjusted in 1 second steps. The 1 ms (‘/30 DAT frame) editing accuracy of this system is higher than that of analogue splice editing.

Additionally, the high editing accuracy of this system can be combined with its crossfade capability, making it possible to remove noise by spot erasure. When two Sony PCM-7030 recorders, fitted with the DABK-7030/7031, are remotely controlled from the RM-D7300, the editing accuracy is 1 frame but without the crossfade facility. In all editing applications, efficiency is dramatically improved by the extraordinary search speed of DAT recorders.

Specifications

Tape Format/Performance

  • Recording System: Rotary-head DAT recording
  • Tape Speed: 8.15 mm/s
  • Recording Time: 124 minutes (with Sony PDP-124)
  • Scanner Rotation Speed: 2000 rpm (standard recording/playback)
  • Track Pitch: 13.6 µm
  • Head System: Helical scanning rotary 4-head system
  • Variable Speed Range: ±12.5% (playback)
  • FF and REW Time: Max. 60 s (with Sony PDP-124)

 

Digital Audio Signal

  • Number of Channels: 2 channels
  • Sampling Frequency: 48 kHz, 44.1 kHz, 32 kHz
  • Quantization: 16-bit linear
  • Error Correction: Double-encoded RSC (Read Solomon Code)
  • Modulation: 8 to 10 modulation
  • Frequency Response: 20 Hz to 20 kHz ±0.5 dB
  • S/N Ratio: More than 90 dB
  • T.H.D.: Less than 0.05% at reference level
  • Wow and Flutter: Below measurable limit
  • Cross Talk: Less than –80 dB (20 Hz to 20 kHz)
  • Emphasis: 50 µs/15 µs, ON/OFF switchable
  • Phase Difference between channels: Within 10° (20 kHz)
  • Delay Time: Approx. 135 ms (RAW mode)

 

General

  • Dimensions: 424 (W) × 132 (H) × 360 (D)
  • Weight: Approx. 10 kg

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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