Neve 1073DPX

Neve 1073DPX Microphone Preamplifier

The Neve 1073DPX has two channels of 1073® Class A design microphone preamplifiers, each with 3-band EQ (fixed HF plus two switchable bands with cut/boost capability) and a high pass filter.

Neve 1073DPX Microphone Preamplifier Details

The Neve 1073DPX accommodates two separate 1073s in a stand-alone 2U rackmount unit. At its core, the 1073DPX retains the same class-A design as the original 1073 but includes many additional features to ensure the unit sits comfortably in the modern studio environment.

With two Neve 1073® pre-amps packed into a modern, 2u 19″ rack format, the 1073DPX features everything you need to record a variety of performance setups. For example, stereo micing setups such as piano or drums work perfectly through the dual-channel DPX. Alternatively, singer-songwriters can use each channel strip independently for an acoustic guitar and a vocal simultaneously.

Exclusive Marinair® transformers are used on the input and output stage to produce that classic Neve 1073® sound; the line and mic inputs are transformer balanced.

The Neve 1073DPX retains the discrete, class-A topology made famous by the classic Neve 1073®. Taking this technology forward, the Neve 1073DPX uses a combination of modern production techniques, including our unique, in-house SMT. Still, crucially, the discrete audio path is constructed using through-hole methods, including mounting the Marinair® transformers and class-A transistor-based amplifiers.

The classic 5dB stepped Elma switch delivers accurate gain levels throughout the gain range. This unique layout means there is no need for a mic/line switch; the pot itself selects the preamp and input. Three distinct gain stages provided by two independent transistor-based preamplifiers provide gain for any DI, line input or microphone signal.

The 1073® preamp produces up to 80dB of microphone gain. By combining multiple gain stages, the Neve 1073DPX delivers the musical drive and harmonic saturation for which the 1073 is famous.

The Neve 1073DPX features two instrument DI’s, one for each channel. This layout is ideal for capturing a duet instrumental performance in the studio without any peripheral equipment.

With independent switching of front and rear inputs, the Neve 1073DPX can be integrated into your studio, ready to use as an insert or through a patch bay, with switchable front combi-connectors for recording directly into the front of the unit.

The three-band inductor-based EQ is designed for musicality. Each frequency point was carefully selected by Rupert and his team of engineers to enhance sound quality across the frequency spectrum. The custom hand-wound inductors are made in the UK and are exclusive to Neve®, often exceeding our tight Neve 1073® specification.

Expand the Neve 1073DPX channel strips with the balanced, +4dBu insert send/return loop feature. This circuit is designed for ultimate flexibility with a switchable pre/post EQ insertion point. Create custom on-the-fly signal flows with any of your favourite outboard processors or stomp pedals.

The rotary level pots function independently, just like the two-channel faders on a Neve® console. Running from -inf to +5, this control gives plenty of headroom for fine-tuning your recording signal back into the DAW.

For further precision, the Neve 1073DPX features two independent 7-stage LED meters using PPM ballistics. Each meter displays signals between -33dB to +24dB at variable points throughout each signal chain, I/P shows how much gain is added after the preamp stage, EQ displays overall gain reduction/addition at the inductor EQ stage and O/P displays the final output gain – perfect control over signal flow for each preamp.

The Neve 1073DPX included headphone monitoring mounted to the front of the unit. This feature provides latency-free mono or stereo monitoring for tracking and an independent preamp output for signal splitting. Additionally, it also allows you to jam through one or both channels of the Neve 1073DPX without any recording equipment powered on.

Specifications

  • Microphone Input: Gain +80db to +20dB in 5dB steps.
  • Line Input: Input impedance 10kΩ, gain +20dB to -10dB in 5dB steps
  • DI Input: Input impedance 10M Ohms (PAD off) / 10K Ohms (PAD on) Gain +80dB to +20dB in 5dB steps.
  • High Frequency: Smooth +/-16dB fixed frequency shelving at 12kHz
  • Low Frequency: Smooth +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220Hz
  • Mid Frequency: Smooth +/-18dB peaking, fixed ‘Q’ with selectable centre frequencies of 0.36kHz, 0.7kHz 1.6kHz, 3.2kHz, 4.8kHz & 7.2kHz
  • High Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz & 300Hz
  • Output: Maximum output is >+26dBu into 600Ω, transformer balanced and earth free.  – Output Impedance 75Ω @1kHz
  • Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) into 600Ω.
  • Freq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out.
  • Noise: -82dBu at all line gain settings (22Hz to 22kHz bandwidth)
  • EIN: Better than -125dBu @ 60dB gain.
  • Width: 480mm Height: 88mm Depth: 356mm
  • Approx. Weight: 10kg

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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MXR MODEL 113 DIGITAL DELAY

By Art Boffi

Sound Quality 100%
Build Quality 100%
Usefullness 100%
Mojo/Funk 100%
Reliability 100%

Great unit. Durable (40 years old and still going unlike the imported stuff being offered today). I own several different delays (I.e. ADA, Lexicon, and multi effect units) and this thing matches up to the best of them. Recommended!

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