Tascam DA-45HR

Tascam DA-45HR High Resolution Digital Recorder

The Tascam DA-45HR is a professional-grade digital audio recorder that improves upon the feature set of its predecessor, the DA-40. With the DA-45HR, Tascam has elevated the recording quality to 24-bit resolution, allowing for a greater dynamic range and a more accurate representation of the original audio source.

Tascam DA-45HR High Resolution Digital Recorder Details

The Tascam DA-45HR stands out as the world’s pioneering digital audio tape (DAT) recorder that supports 24-bit recording. It boasts the ability to capture high-resolution data and record it onto the standard DAT tape, thereby providing an affordable and straightforward option for professional-quality 24-bit recording.

Moreover, the Tascam DA-45HR is not limited to only 24-bit recording. It can also operate as a standard 16-bit DAT recorder, allowing for the reading and writing of DATs created on typical DAT machines. This versatility makes it a flexible solution for various recording applications, catering to the needs of both amateur and professional users.

The Tascam DA-45HR’s ability to serve as both a 16-bit and 24-bit DAT recorder makes it a versatile option that can replace a standard 16-bit DAT recorder without the need for two separate machines, providing dual functionality in a single unit.

Moreover, the Word Clock I/O on the DA-45HR is an essential feature for integration into more extensive digital setups with a central clock source. The Word Clock In and Thru enable the unit to clock to an external source on playback, enhancing its compatibility with other equipment in a recording setup.

Additionally, the DA-45HR offers the same advanced functions as the DA-40, including track names, locate points, single play, selectable SCMS status, parallel and serial control, and calibrated I/O. These features offer greater control and customisation of the recording process, allowing users to tailor their recording experience to their specific needs.

For even more convenience, the optional RC-D45 wired remote is designed to work seamlessly with the DA-45HR, providing an easy-to-use interface that allows for remote control of the unit’s functions.

The Tascam DA-45HR’s ability to function as both a 16-bit and 24-bit DAT recorder, its Word Clock I/O feature, and its advanced functions make it a reliable and adaptable solution for various recording environments, with the optional RC-D45 wired remote providing added convenience for users.

Features

  • Records 24 Bit Stereo in High Resolution Mode
  • Records and Plays Standard 16 Bit DAT Format
  • Balanced XLR & Unbalanced RCA Analog I/O
  • AES/EBU and SPDIF Coax Digital I/O
  • Word Sync In/Thru
  • Headphone Output w/ Level Control
  • (2) Locate Points
  • Single Play Function (Play One Track & Pause)
  • Loop Play Function (Between Locate Points)
  • Large Jog Shuttle Wheel
  • Parallel Control Port
  • Serial Control In
  • Selectable SCMS Status
  • Optional RC-D45 Wired Remote
  • 3-U Rack Mountable DAT Recorder
  • Record Mute Function
  • Supports Track Names in DAT Sub codes
  • Margin Counter w/ Reset Function
  • Calibrated Input Switch
  • Output Attenuation on XLR Outputs
  • 24 Bit A/D, 20 Bit D/A Converters

Specifications

  • Tape Speed:
    • 8.15 mm/s (SP mode)
    • 16.3 mm/s (HR mode)
  • Recording Time (with 120-minute cassette):
    • 120 minutes (SP mode)
    • 60 minutes (HR mode)
  • Head Drum Speed:
    • 2,000 rpm (SP mode)
    • 4,000 rpm (HR mode)
  • Fast Wind Time (forward and rewind):
    • 60 seconds end-to-end with 120-minute tape
  • Sampling Frequency:
    • 44.1 kHz, 48 kHz
  • Recording Resolution:
    • 16-bit linear (SP mode)
    • Rounded 24-bit AD conversion
    • 24-bit linear (HR mode)a
  • Frequency Response ±0.5 dB:
    • 20 Hz to 20,000 Hz (SP mode)
    • 20 Hz to 20,000 Hz (HR mode)
  • S/N Ratio:
    • 105 dB (SP mode)
    • 112 dB recording, > 105 dB overall (HR mode)
  • Dynamic Range:
    • 100 dB (SP mode)
    • 113 dB recording, > 105 dB overall (HR mode)
  • Total Harmonic Distortion (1 kHz @ FS – 0.1 dB):
    • < 0.005% (SP mode)
    • < 0.002% recording, < 0.004% overall (HR mode)
  • Channel Separation: > 95 dB (1 kHz @ FS)
  • Wow and Flutter: Unmeasurable (< 0.001%)
  • Dimensions: 482mm x 140.5mm x 368mm
  • Weight: 8.3 kg

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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1980’S REVERB

By Rene Kirchner

Sound Quality 90%
Build Quality 90%
Usefullness 80%
Mojo/Funk 90%
Reliability 90%

It´s the same unit as the Sony MU-R201. Which I owned!

IT’S A KEEPER!

By Hollowman9

Sound Quality 75%
Build Quality 85%
Usefullness 90%
Mojo/Funk 100%
Reliability 85%

Can be noisy if gain staging isn’t properly setup. The pots get scratchy and are not robust. The dual concentric level controls got frozen together somehow and are not on the same settings. I have to balance my sends to compensate. The jacks are cheaply made and the buttons don’t have good feedback.

But for the money this is a very nice sounding reverb. Can be ice cold and spooky sounding but smooth and works great in mixes. I use it for electro-industrial and it’s an excellent fit on synths, samplers and drum machines. Honestly over the years it’s become a favorite go to unit. It’s an interesting contrast to my Lexicon, Kurzweil and Eventide reverbs. Has some similarities with the Alesis Midiverb II which I also enjoy.

It’s old! Replace those capacitors. Doing so reduced the noise floor on mine noticeably.

PERFECT FOR DRUMS

By Andrea Zanini

Sound Quality 100%
Build Quality 80%
Usefullness 100%
Mojo/Funk 100%
Reliability 100%

I have two of these units. Bought them mainly for mixing drums and they are stellar. You get everything from subtle ambiance to that classic 80’s gated extravaganza. For the prices they go for today, make sure you grab one! Or two!

TOTAL SLEEPER

By Anonymous

Sound Quality 75%
Build Quality 80%
Usefullness 90%
Mojo/Funk 60%
Reliability 100%

Picked this up as part of a package deal. Had heard some good things about it but had my doubts. After a couple years I find that it is quite the sleeper and I am using it more and more. This is a huge box, both physically and sonically. It has a few sweet spots that are really very sweet. The sound of its reverb is very liquid and flowing with some of the best gated verbs I have ever heard. The dual delay is very handy and can create some decent chorus and flanger effects. At longer delay and decay times the tails get very synthetic sounding which I find is very nice on synths but not so much for drums. Editing is dead easy and dual channel operation is very useful. A surprisingly decent little box if a tiny bit noisy. The buttons and controls could be better quality.

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