Aphex Aural Exciter

Aphex Aural Exciter & Optical Big Bottom

Since its introduction in 1975, close to a million Aphex Aural Exciters have found their way into recording studios and broadcast facilities, nightclubs and concert halls, arenas and airports, musicians' and DJs' rigs and houses of worship.

Aphex Aural Exciter & Optical Big Bottom Details

The Aural Aphex Aural Exciter & Optical Big Bottom patented technology has been often imitated but never duplicated. Each of the Aural Exciter’s two independent channels feature Tune, Harmonics and Mix controls, enabling you to focus on select frequencies just like on an EQ. But unlike an EQ, the Aural Exciter’s harmonic processing doesn’t boost the signal’s output level, so it maintains a clear and balanced sound.

Traditional EQ increases the output level of the targeted frequencies. Adding EQ to boost selected frequencies typically results in a perceived loss of other frequencies, which are then also boosted to compensate. The Aural Aphex Aural Exciter & Optical Big Bottom’s patented technology harmonically brings out the desired frequencies without adding gain. The result is audio that’s more balanced, more articulate and, simply put, better sounding.

Over three decades of research, development and refinement have kept the Aural Exciter at the cutting edge. The new Aural Exciter and Optical Big Bottom features the same no-compromise audio quality Aphex is known for, with the highest quality componentry and rugged, durable construction to withstand the rigors of travel and constant use.

Aural Exciter
For more than 35 years, the Aural Exciter’s patented technology has been the audio professional’s secret weapon, a powerful way to improve and enhance sonic quality more naturally than with equalisation.

For individual sounds or entire mixes, the Aural Exciter brings out detail, clarity and imaging that elevates your sound without adding level. For vocals and spoken dialog, it can dramatically increase intelligibility. For individual instruments, it adds punch and presence. And on mixes, it adds power, presence and sparkle. The Aural Exciter is the ideal solution for breathing life into MP3s and other compressed audio files.

Optical Big Bottom
The Optical Big Bottom adds deep, powerful low-frequency punch, without the unwanted level boost that comes from adding traditional EQ. Deeper, more resonant bass response with tighter articulation helps to extend low frequency power and spectrum without the build-up or driver-damaging tendencies of bass EQ.

Applications
Recording, Mixdown and Postproduction – The Aphex Aural Exciter & Optical Big Bottom was born in the recording studio, and its legacy is founded on thousands of legendary recordings bearing the unmistakable Aphex sound. Engineers and producers have used the Aural Exciter to bring out vocals, and on instruments from acoustic to electric and eclectic to exotic. It’s at the heart of great sounding mixes in rock, pop, jazz, classical and every other genre of modern music. And you’ll find the Aural Exciter in TV and film postproduction studios the world over.

Broadcasting / Webcasting – The Aphex Aural Exciter & Optical Big Bottom brings clarity and intelligibility to spoken word and narration. For terrestrial and satellite broadcasters, the Aural Exciter provides the powerful articulation necessary to deliver crisp, clear signal in the face of today’s digital broadcasting challenges. For live and recorded web streaming, the Aural Exciter adds the definition and dimension that’s so often lost in the compression of today’s Internet audio.

Live Sound – At Front of House, the Aphex Aural Exciter & Optical Big Bottom can help to bring out an individual player or add dimension to the entire mix, making it an important tool for the challenges of changing venues and acoustics. Monitor engineers also depend on the Aural Exciter to improve clarity and articulation of monitor and in-ear mixes on stage without having to increase volumes to dangerous levels.

Installed Sound – Ideal for adding intelligibility and clarity to challenging spaces and loudspeaker placement, the Aphex Aural Exciter & Optical Big Bottom can deliver audio clarity under the most demanding conditions.

DJ – In the eternal quest for more volume and more bass, the Aphex Aural Exciter & Optical Big Bottom delivers, while also addressing the need for brightness and definition without the use of speaker-damaging EQ. The Aural Exciter is a prized part of any nightclub or live DJ’s amp rack.

Specifications

  • Frequency Response: 10Hz – 38 kHz(± 0.5dB)
  • Dynamic Range: 120 dB
  • Hum and Noise: (unweighted 22Hz-22kHz) -93 dBu
  • Crosstalk: (10 Hz – 22kHz) -79 dB
  • THD: (10 Hz – 22kHz at max. output) .0003%
  • IMD: (10 Hz – 22kHz at max. output) .0007%
  • Voltage Rating 100V = 240V
  • Power Rating: 12 watts
  • Dimensions: 482.6mm x 445mm x 209.6mm
  • Weight: 2.73kg

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

Aphex Aural Exciter & Optical Big Bottom

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MXR MODEL 113 DIGITAL DELAY

By Art Boffi

Sound Quality 100%
Build Quality 100%
Usefullness 100%
Mojo/Funk 100%
Reliability 100%

Great unit. Durable (40 years old and still going unlike the imported stuff being offered today). I own several different delays (I.e. ADA, Lexicon, and multi effect units) and this thing matches up to the best of them. Recommended!

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